The Socratic Screenplay: Law, Allegory and Science Fiction in John and Joyce Corrington's Screenplays for The Omega Man and Battle for The Planet of The Apes
Document Type
Article
Publication Title
Studies in Law, Politics, and Society
Abstract
The law-oriented short stories and novels of lawyer/English professor John William Corrington are receiving increasing attention from legal scholars. However; no one has analyzed the science fiction screenplays he co-wrote with his wife, Joyce, from a legal perspective. This article analyzes two such screenplays and concludes that they are "Socratic" texts whose narrative structures and epistemological processes work in much the same way that the traditional participatory exchange works in law school. My analysis explores the links between law, allegory and science fiction as intersecting methods to imagine the possibilities for the future.
First Page
79
Last Page
120
Publication Date
2004
Recommended Citation
Lenora Ledwon, The Socratic Screenplay: Law, Allegory and Science Fiction in John and Joyce Corrington's Screenplays for the Omega Man and Battle for the Planet of the Apes, 32 Stud. L. POL. & Soc'y 79 (2004).